Two Quick Things

Because that's all I have time for today, as I dig out from the mountain that…just a weekend away at ALA has left behind. What's that about? I do not know, except that I must climb it. A post about how fun ALA was (sooo much fun) is coming as well, but for today: 

*continues to run around like hair is on fire*

Cover! Reveal! The Woken Gods!

Hi there, everyone!

So, finally, today, the cover for The Woken Gods can be shown. I think it's a nice mix of the mythical and the modern, the old and the new, which I hope the book is too. And my HUGEST thanks to my publisher Strange Chemistry and all the bloggers participating in the reveal: 

Birth of a New Witch
Civilian Reader

Daisy Chain Book Reviews

Totally Bookalicious

Fantasy's Ink

A Fantastical Librarian

The Pewter Wolf

*beams in your general direction* Visit them! And I'll add others as I catch them.

And the traditional bonus giveaway: If you'd like to win a signed copy of Blackwood and of The Woken Gods (as soon as it's available) say so in your comment here (email address required)–I'll count entries made until midnight on July 2, one per person. Let us know what you think!

Some of you might remember that this book was originally to come out in July and the eidetic might remember that the original synopsis and draft snippets were quite a bit different too. That's because I needed a little extra time to make this book what I wanted it to be. (And to figure out what that was. Remember all those stressed out, panicked revision tweets? They were about this, my rebellious heroine navigating scary trickster intrigue in a strange D.C. book.)

I hope you like the book, and pre-orders are always appreciated, from wherever you prefer to get your books. I also hope that if you're excited about it, you'll help spread the word as we travel from now to its release date September 3 (US) and 5 (UK). That extra time I needed means I now need all of you more than ever to help out in that respect. As any author will tell you, a second book is often even more important than a first. So, thank you all, again, for your support. You are amazing.

And now the cover (designed by Amazing15), with book description and a snippet to follow…

TheWokenGods-300dpi

(Click to embiggen yet more)

ABOUT THE WOKEN GODS

Five years ago, the gods of ancient mythology awoke around the world.

This morning, Kyra Locke is late for school.

Seventeen-year-old Kyra lives in a transformed Washington, D.C., home to the embassies of divine pantheons and the mysterious Society of the Sun. But when rebellious Kyra encounters two trickster gods on her way back from school, one offering a threat and the other a warning, it turns out her life isn’t what it seems. She escapes with the aid of Osborne "Oz" Spencer, an intriguing Society field operative, only to discover that her scholar father has disappeared with a dangerous relic. The Society needs it, and they don’t care that she knows nothing about her father's secrets.

Now Kyra must depend on her wits and the suspect help of scary gods, her estranged oracle mother, and, of course, Oz whose first allegiance is to the Society. She has no choice if she’s going to recover the missing relic and save her father. And if she doesn't? Well, that may just mean the end of the world as she knows it.

From the author of Blackwood comes a fresh, thrilling urban fantasy that will appeal to fans of Neil Gaiman, Cassandra Clare, and Rick Riordan.

"Unique, fast-paced, and rife with tension, The Woken Gods brilliantly pits loyalty against survival, trust against inevitability, and love against fear." – Carrie Ryan, New York Times bestselling author of The Forest of Hands and Teeth series

And how's about a little sneak peek? The prologue is behind the cut:

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Friday Hangovers

  • A proper post or two next week, but for now closing some tabs. Also, Christopher and I will be bopping around the exhibits hall and the general festivities at ALA in Chicago next weekend. So say hi!
  • Joss Whedon offers some good advice for being productive.
  • Coffee might not always be the best for creativity? WHAT. Flawed study. *pretends never saw this*
  • Cheryl Klein has a post on terms to help in discussing endings.
  • An interesting take on the Miss Utah answer flub at the WaPo from Alexandra Petri: "Besides, only at the Miss USA pageant would you ask a woman, teetering in heels and an evening gown, who had just strutted her stuff in a swim suit on national television in a competition redolent of the Atlantic City beach in the 1920s, to explain the question of pay inequality coherently in a minute or less. That’s the bizarre double standard, in a nutshell. It’s a microcosm of what women have to deal with, in various less ludicrous forms, everywhere they go."
  • Genevieve on Dealing With It. (Must read. Also, for the record, my RT of this post is the first time I've ever had to block someone for responding with sexist nonsense on twitter. So, there you go.)
  • Charlie Jane has a fascinating piece on research on empathy and how we might create more of it.
  • I have been semi-shocked to learn that Bennett Madison's new novel September Girls–which I have made no secret of my admiration for (I also adored Blonde of the Joke)–has apparently gotten tons of flack from being construed as misogynist. Which it is NOT. Here's an interview where Bennett discusses his intentions and the layers of a book that I very much do consider feminist, and also one of my favorites of the year. I particularly loved this point: "To me it’s better to try to say something and fail to say it in a way that everyone will understand than it is to avoid saying that same thing because I’m assuming my audience isn’t sophisticated enough for it. Pandering to an imagined audience of people who will get the “wrong” message is more than just an insult to my readers– it’s ignoring my responsibilities as a writer." This.
  • Tanita Davis gives some straight talk on diversity and the lack thereof in children's books: "This matters. Not because I am a person of color. Not because I don’t feel “comfortable” reading books that don’t feature people of color. But because the longer we tell young adults and children that they are invisible from their own imagination, the more we’re allowing them to disappear from the world’s stories. The more we’re encouraging them to be audience instead of actor, observer instead of participant." Go read the whole post.
  • Andrew Shaffer creates a quiz using "breathless physical descriptions" of authors from NYT profiles. FUN.
  • Stephen Colbert's tribute to his mother; prepare to cry.

Something In The Air

There must be, that is, because I did a fun interview for a podcast/radio thingie earlier today on gender and YA marketing and–unrelated–the epidode I'm on of WFPL's new fiction-on-the-radio-show Unbound airs tonight. The skinny:

We're posting the audio from each show the morning after it airs. Tonight, tune in to 89.3 FM in Louisville at 7 p.m. Eastern time (stream us live at http://wfpl.org/) to hear Patrick Wensink and Gwenda Bond read stories about folks who have bad luck.

That's right, I read from Blackwood. (Let me know how it is; I can't stand hearing my own voice until someone tells me I won't cringe. And C's not back in town yet to do the test listen for me.)

All the episodes can be found here, posted after they air. The first season began airing Monday and continues each night, so check it out. And tell your local NPR station you want them to pick up the show. Huzzah and congratulations, WFPL, you made a show!

Updated to add: And here's the direct link to the episode. Loved hearing Patrick Wensink's piece.

Monday Hangovers

Happy Thing Of Today

Hopefully, we are entering the season of happy things, as it will be book release time before you know it. (September!) Cover soon, I promise. But first, today I'm beaming madly because the book that almost killed me received a lovely blurb from an author I admire tremendously and generally think is the bee's knees. 

New York Times bestselling author Carrie Ryan says: "Unique, fast-paced, and rife with tension, The Woken Gods brilliantly pits loyalty against survival, trust against inevitability, and love against fear."

*beams more*

Tuesday Hangovers

Friday Hangovers

  • Yeah, yeah, I know! I disappeared again. But Christopher and I are finishing the first draft of our (sorta secret, except if you follow either of us on twitter or are facebook friends you know we're doing one) collaborative middle grade book today. Yep, we wrote a book together. In a month. And it was fun. Now we do some fixing, and show it to people, and I will definitely do a post about what I've learned from this process. Useful stuff I hope to take back to my solo work…especially since I'll be starting something new SOON.
  • Other excitment in the works: I do believe you will get to see The Woken Gods cover (eek!!!) next week. Again: !!! And I imagine ARCs will be floating around soon as well, and of course, the book itself will be out in September. I'll just be over here breathing into a paper bag. Anyway, hope you like it–cover, book, the whole shebang. And now some links!
  • Let's start with the ancient tales of a shapeshifting Jesus. Dan Brown, start your engines. (Via the estimable Colleen Lindsay.)
  • "Ancient Egyptian relics were made of iron from space."
  • And one more ancient things link–"Lost Egyptian City Revealed After 1200 Years Under the Sea."
  • Author Jennifer Lynne Barnes has written two amazingly smart, incredibly fascinating posts following up on the "what makes a big book?" discussion that John Green touched off with his post about TFiOS' success and what he believes factored into it. These are MUST READS if you're an author or in publishing or just talk about books in real life or online (especially the second one). Post the first and post the second.
  • A crazy crazy vendetta story at Salon involving Ringling Bros./Barnum & Bailey. As I've already said elsewhere, some of the things mentioned in here are why I created my own circus for Girl on a Wire…so I could have the kind of circus I wanted to write about. Because after all the reading I've done, I do find the revelations in that piece shocking, but not surprising (if that makes any sense). But hey, we've got AGES before you get to read that book, so I'll say no more.
  • A lovely profile of the wonderful Karen Berger in the NYT. She will be missed in the comics world; that's for sure.
  • Veronica Roth's BEA speech is well worth your time. Snippet: "People say that writing is an isolated activity, but good writing requires company. Company that you ultimately love and cherish and value, and this perspective towards criticism, ultimate improvement requires humility."
  • Baked Avocado Bacon and Eggs. This little piece of heaven came from the fab Beth Revis and I will be making it this weekend. YUM.
  • The long-lost (and apparently terrible) ET game for Atari might be unearthed from a landfill? Snippet: "A Canadian studio has confirmed to the BBC it will search a former landfill site in New Mexico where Atari's much-criticised ET game may be buried."
  • Best news: Karen Joy Fowler's We Are All Completely Beside Ourselves is this weekend's COVER REVIEW (by Barbara Kingsolver, who raves!) of the NYTBR. Read it! Yay! Great things happening to a great book by a great person. My favorite.

Wednesday Hangovers

Pack(ag)ing It Up

Let me first start this post by saying I know a little about book packaging, but purely from the outside in–through knowing authors who've done it as work-for-hire and people who worked at packaging houses and as a general "watcher of the industry" and articles that get written about it. None of that makes me an expert.

But.

The most interesting thing about watching heads explode this morning on twitter over the new announcement that Amazon has reached licensing agreements with Alloy/WBs (with more in the works) to allow writers to sell fanfic set in the Vampire Diaries, Gossip Girl and Pretty Little Liars worlds through its new Kindle Worlds program was how few people immediately recognized these are all packaged properties. I have seen a lot of worry about the authors who created these characters getting money, and how the rights worked, and etc. etc. and I am reminded once again that lots of people–even savvy industry types–don't realize how prevalent packaging is in YA (and probably elsewhere too–I am most familiar with YA and so that's what I'm talking about here). People on twitter thought a post on the subject was a good idea, and so here one is. (Experts feel free to jump in the comments or send me an email if I've gotten something wrong or you feel there's something I missed that's important.)

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