Happy Friday

Still sick, but you’ll feel better if you mosey over to the most excellent Noise for Toaster blog and avail yourself of Shan’s commentary and three amazing tracks from Emily Haines & the Soft Skeleton’s Knives Don’t Have Your Back (out later this month). So good. (Emily Haines = Metric lead singer.)

Also, does everybody already know about The Lipstick of Noise poetry MP3 blog? Addictive; so much better on sick-couch than The View.

Why yes, I did spend much of the morning making a new folder for music blog feeds, why do you ask?

Nice weekend, everybody.

p.s. If you follow the link to the Hype, you can also get the drop-dead gorgeous "Crowd Surf Off a Cliff" and "Reading in Bed." (And more.) What an album.

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Thursday Excuses & Hangovers

I’m home with some sort of truly nasty crud, currently watching an episode of the A-Team on Sleuth, which bears the following description: "The team works from a pub to stop a loan shark from terrorizing small businesses; guest Wings Hauser." (The commercials they show on this network are terrible, sad and funny.) Next I’ll watch Rosie on The View. A few things:

Now I go back to collapsing. Emails I owe you will come soon. Promise.

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Infirmary Ghosts & Waffle Girls

Tofeelstuff_1

Andrea Seigel has done something not very many writers actually achieve: followed up an incredibly exciting first novel with an incredibly exciting second novel That Is Completely Different. If Like the Red Panda was a coming of age story (or a suicide valentine; pair it with Lynda Barry’s Cruddy), then To Feel Stuff is a ghost story about being alive.

Elodie, beset by malady after malady, lives in the college infirmary at Brown. Dr. Mark Kirschling becomes fixated on her as a phenomenon infinitely more fascinating than your typical case study. Chester, who has always been a golden boy, gets attacked and comes to stay in the infirmary; he and Elodie promptly fall in strange, believable love. The novel gracefully interleaves the viewpoints of the good doctor with those of the lovers. Fittingly, Elodie’s version is the richest, because only she truly understands herself and her place in the world. AND she starts to see ghosts, or maybe not exactly. Maybe she’s inherited her mother’s gift, maybe something different. Elodie’s story feels full of ghosts, of history and of what will never be.

And I can say without reservation that this book features two sequences that are undeniably the best of their type in all of fictionland, in the categories of journey in search of waffles and karaoke-gone-wrong. Which points up one of the things I loved about this book, and that’s its easy unexpectedness. Lots of times when books dabble in the kooky side character who brings her bird into work one day or try and achieve a truly off-kilter protagonist (that isn’t just annoying), it’s painfully obvious that making the oddness of life seem normal AND interesting in a way that also feels real is damn hard. Often, it comes across as trite. In trying to capture a more sideways snapshot of what life’s like, the quirky becomes the banal. But that is definitely not the case here. Here, Seigel makes it work in a way that reads as effortless and honest. An oddways reality bounded on all sides by how far the characters can, or can’t, go, outside those infirmary walls and outside themselves. And whether they are, ultimately, okay with where and who they happen to be.

The book’s distinctly distant yet completely absorbing view of the world, like Elodie’s from her own traitorous body, is unnerving in the best possible way.

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Wednesday Hangovers

I’m about a bajillion years behind on email, but am slowly catching up.

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SERIOUSLY (Updated)

Alan for PRESIDENT (of SFWA sure, but also, the WORLD).

UPDATED: If you want to see a little taste, tonally at least, of some of the comments David Moles pulled from the private SFWA forums (which are all taken down now, I believe), I’d "suggest" going over to this thread at Asimov’s. Le depressing. No one there is saying that what happened was appropriate, but LOTS of "get over it," "it’s none of our business," "not that big a deal," "those intarweb kids are out of control!" type stuff.

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