Nattering

Sunny Days, Home Again

We're home, and a catch-up on posting is in the offing in the next day or two. In the meantime, I put up some photos on flickr that Christopher and I took on our last full (and sunniest) day, part of my resolution to take more photos this year. Here are my new cowboy boots, aka my book sale present to myself.

P1020693

They are divinely comfortable, and were purchased on a fun adventure into the wilds of the market of San Miguel led by adventurer-in-chief Theo. My thanks to Robin Wasserman (whose fabulous The Book of Blood and Shadow is out in April and just got a starred PW review) and Sarah Rees Brennan (who has not one but TWO fabulous new books due out later this year) for helping select just the right pair. Said boots have already proved their magic in a mad dash through the Dallas airport, in which we made the flight but our bag did not.

The rest of the photo set is here.

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Travel Check-In

So we're down in Mexico on a writing vacation (a vacation for writing, not from it). The weather isn't entirely cooperating; it's been warm-ish and cloudy-ish most days. But the company more than makes up for that. Many writing talks being had, about specific projects and more generally, in that way that kicks the story brain into gear. I just finished my revision pass and sent it in to editor Amanda, managed a couple other nervous-making business-y emails, and tomorrow will start thinking in detail about the plot of the book I'm writing next. I'm hoping to get a synopsis written in the next couple of days, so that I can get into the real work of it once we're home.

There is guacamole with most every meal, and later there will be margaritas. The pool is warm, even if the outdoors isn't quite.

Basically: I can't complain. I wouldn't even dream of it.

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The Fast-Talking Smarties

So…I was trying to think of something to post about, and I thought I'd tackle one of the complaints that bugs me greatly (and that I see again and again) about certain types of characters in YA. The contention in question is that given characters aren't "how teens really are," usually said to mean that teens don't think or talk in a complex or sophisticated way, and almost universally applied to bright, precocious characters or a certain type of stylized dialogue. Maggie Stiefvater did a great post about this some time back, on the myth of the "teen voice."

This complaint tends to surface more frequently whenever John Green has a new book out, which is why the topic came to mind. Let me say right off the bat: I haven't read The Fault in Our Stars yet*. I'm definitely going to; I love all John's books with great and huge buckets of love. In fact, one of the reasons I loved Looking for Alaska so much was because I had an immediate sense of recognition when I read it. THESE were the smart Southern** teenagers I grew up around.

Rory

But I digress. The problem, of course, being that teens aren't a monolithic group. They–just like adults–are individuals. If a character doesn't work and isn't believable, that's one thing. But I will buy just about any type of speech or action from a character as long as it feels developed, specific, and honest to that character or story. And for every person who has trouble buying into hyper-verbal or branier-than-the-norm characters, I think there's also a counterbalancing number of us who adored, say, Buffy, Gilmore Girls or Veronica Mars because of those qualities (among others).

My suggested rule of thumb is that if you'd never say, "That's just not how adults are" about an adult character (and, really, you wouldn't, would you?), then don't vary the same theme about teen characters in YA.

*This is primarily because I lost a good friend to cancer when we were both 16. I'm so glad that TFiOS exists, because being a bookish girl as I was, back then I really wanted to find a book that might help me understand that loss. And I couldn't. Because most were too saccharine, and not at all funny, and I hated saccharine inspirational (not least because so did my friend) and my people are funny people. So I know this book needed to be written, and believe John was the perfect writer for the job, and I can't wait. I just need a weekend when I can be Completely and Utterly Wrecked, and retroactively grateful.

**My "Southern" cliché rant will be saved for another day.

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Of Goodwill

So, you are all kind of amazing. All your congratulations and good wishes and interest in the book–here, on twitter, on facebook, etc.–have been so, so appreciated. I couldn't manage to respond to everyone individually, but please know how much it means. As most of you know, I've been working toward this first novel sale for years (which is not at all unusual–interviewing writers for PW is always a great reminder that we only ever see the tippy tops of people's careers and the iceberg of all the work and setbacks and the rest of it is beneath the water, concealed from everyone but those people in our daily lives). And I always have a tendency to expect the worst and be pleasantly surprised if things don't go down in a flaming ball of fiery doom.

All this positivity is disconcerting. I'm not used to it.

Anyway, io9 did that great piece (how much do I love those guys? they are so great for SFF and YA and the world in general, so pinch moment number two–pinch moment number one was when the initital announcement from SC hit). And today the deal made it into Publishers Marketplace–and was mentioned in the daily Publishers Lunch newsletter, surreal pinch moment number three. I have read that newsletter every day FOR AGES and to see my book mentioned…my little #nerdromancethriller-that-could. Here's the text of the PM listing:

Gwenda Bond's BLACKWOOD, a young adult novel about a modern-day Lost Colony; when 114 people disappear from Roanoke Island, an unlikely pair of 17-year-olds may be the only hope of bringing them back, to Amanda Rutter at Angry Robot, in a two-book deal, for publication in Fall 2012, by Jennifer Laughran at Andrea Brown Literary Agency (World English).
Translation: Taryn Fagerness Agency

It's listed as an international deal because Angry Robot is based in the UK, but for those who've asked, like Angry Robot, Strange Chemistry will be a global imprint, and the book will be available in the US, the UK and I believe Australia as both a physical object and as an e-book (and Angry Robot also sells DRM-free e-books at their web store). And for booksellers (I LOVE YOU), Strange Chemistry/Angry Robot's US distribution is through Random House.

I really can't wait for you guys to get to read this book. Which I started, oh, back in 2005, I believe. I had the initial idea then, started it as a screenplay, realized I really should be writing YA and so re-started it as a novel…and set it aside for a lot of years because I didn't know the solution to the mystery. And I felt like if I was going to write a fantasy about Roanoke Island and the Lost Colony, I had to solve it, one way or another. Cut to last semester of grad school, a desperate need for a workshop piece, and I pulled out the opening I had. The group (led by the divine Cynthia Leitich Smith) were very, very helpful, but still, even though I knew the overall shape of the story, I didn't know what was causing the disappearances, so I shelved it again… And then, finally, the third time I started to work on it was the charm. Lightning, research, reading: Alchemy. Though, of course, I'm not going to reveal exactly *how* alchemy figures in.

The title Blackwood is actually from the masterminds of Angry Robot, by the way. My original title was too similar to the imprint name. And I like this so much better. It fits the story in every way and…

I really, really can't wait for you guys to get to read this book. So soon! In September. And I can't wait to get my edit letter from the fabulous Amanda and get to work on it again. And then on book two (which will be unrelated to this one; Blackwood is a standalone).

Also, just an aside: Jennifer Laughran is a goddess among agents. There are agents who wouldn't have hung in there with me, lo, these several years, and continued to be wonderful and excited about my work. Jenn did. So…

PINCH ME. But, don't worry, my head won't stay in the clouds, not when I have this: 

HemDontCare

Pirate Hemingway Don't Care About Books

(Note: No actual eye-patches were used in this photo. Am playing w/ Typepad's new photo editor Aviary.)

 

 

And now back to work. More soon.

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Trapping The Wild Time Monster

A couple of posts I really liked lately that might not immediately seem related:

  • Nora Jemisin on the price of time (and how sometimes spending money to get yourself time is a wise calculation): "So I’ve had to reassess my life as a writer, and decide whether some things that I’d previously dismissed as too expensive on a financial basis were, in fact, costing me far more in the long run due to lost time."
  • Miriam Forster on "emotional flu" and taking downtime when you need it, like after finishing a giant project: "When you're physically sick, you need rest. Same goes for the emotional flu. So this week I'm going easy on myself.  No writing, no being productive at home unless I feel like it or it's urgent, like my husband running out of socks. No yelling at myself.  I'm going to go to work and spend time with my husband and pet the cat."

I recommend reading both in full. *waits*

Both of these really resonated with me, because of course we all have our own battles with time. And I get asked a lot how I manage to juggle all the things I regularly juggle (true answer: sometimes with little effort, sometimes with lots, most of the time somewhere in the middle). I definitely use both the techniques above.

I'm not particularly wise on the money front, but I agree that there are some things that it just pays to, well, pay for. For instance, if I have completely wrecked my neck hunching over papers or the laptop on a deadline or it's likely I will, I book a massage because I know I'll need it. (Yes, I realize this makes me sound like a brat, but I have learned from experience that it will often save emergency appointments and days of pain. Worth it.) The DVR, as Nora mentions too, is something I would sob and be very unhappy without…because:

One thing I do is try to give myself nights off. This isn't always possible. But we don't have kids, so more often than not it is. (Seriously, I'm in awe of anyone who manages to write and keep a household with children going, and I know there's often a day job in the mix too. *bows*) So, generally speaking, unless I'm on a major deadline, after 6 or 7 is play time. Brain dead time. Reading time. Going out to dinner time. Having a glass of wine and watching TV time. Twitter, blog reading or writing, etc. Guilt-free, all of it. This isn't exactly what Miriam is talking about, because that's something different–when you need a big chunk of relax, no-obligations-on-self, no-self-recrimination time to recharge. I'm not always so smart about taking that. But I do try to take some time every day that's "off." Otherwise, I go a little crazy.

I get up early just about every day and try to clock an hour minimum and two hours maximum of writing time before work. I also work during lunch. So that's three hours or so a day on the wip on a good day, at least an hour and a half on the bad days. Sometimes other things have to get subbed in here, but if I'm really in the middle of a book, I try to make sure I get the morning writing time in at a minimum.* During my writing time I don't mess around, and I don't have access to the web. That time is for writing only. Generally, that's about all the good time I have in me per day during a first draft anyway, so it's enough. Much more, and I'm burned out the next day. Revision takes bigger time chunks, so that's a little different, but.

Big freelance projects–proofing, PW pieces–mostly get done on the weekends, though they can slip into writing time on days I make word count and have time left over. For me, it's all about prioritizing. It's all about what's most pressing and how can I give it as much undivided time as possible until it's done? Because I find that multi-tasking is largely a fiction. It's a last resort. When I'm multi-tasking, the car is in the ditch, I am in the weeds. (I admire greatly those who can do it.)

And now…I have to go write an article. I'm definitely curious though, if anyone wants to talk about how they manage their days and writing time, feel free to in le comments.

*This is not to act like there aren't times when this gets disrupted because I really need the sleep instead or hit one of those natural pauses where there are a few days off, because there most definitely are.

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Star Power

Last night, taking the dogs out for a late walk at my parents' in the country, I was looking at the sky. One of the biggest trade-offs we make living in light-polluted cities is losing the stars. Even though it was a foggy night, there were still plenty of things visible, including a star shining so bright it had to be a planet.

When I came in and said this to one of my nephews, he flipped out and asked if we could go back out and see it. So we did (aside: barefoot in late November; it was chilly, but not bad: what have we done to our own planet?).

I love astronomy and wish I'd held onto more of it, so sad to say I had to google to find out which one it was. (My mom was using an app on her ipad, but I cling to the old ways.) I was able to figure out via the help of Astronomy Central and EarthSky that the planet in question was Jupiter.

Jupiter-and-moons2(photo from Astronomy Central)

According to this University of Oregon page: "Jupiter is the largest of the nine planets, more than 10 times the diameter of Earth and more than 300 times its mass. In fact, the mass of Jupiter is almost 2.5 times that of all the other planets combined. Being composed largely of the light elements hydrogen and helium, its mean density is only 1.314 times that of water. The mean density of Earth is 5.245 times that of water. The pull of gravity on Jupiter at the top of the clouds at the equator is 2.4 times as great as gravity's pull at the surface of Earth at the equator. The bulk of Jupiter rotates once in 9 hours, 55.5 minutes, although the period determined by watching cloud features differs by up to five minutes due to intrinsic cloud motions." There are lots of other fascinating things about Jupiter, including that if it grew much more in mass, it would actually shrink through gravitational compression. 

Science is awesome.

Afterward, Christopher and I talked about how day lengths govern the entire rhythm of our lives, and the "extra time" at the end of the day in Kim Stanley Robinson's Mars books, and whether the loss of cultural interest in space travel has any correlation to more people living in light-polluted population centers.

*

I dreamed a movie that never existed with Marilyn Monroe and Cary Grant opposite each other, on an enormous ship. Different kinds of stars.

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The Giving of Thanks

As stated elsewhere, I'm attempting to stay off social media (aka The Services, to invoke a more sinister, Skynetish flavor) for the next little bit. There'll probably be a few more posts here in the meantime. It's not that I feel like I've been spending too much time on twitter, etc., of late or that such things are particularly disruptive or a bad influence or anything like that. What they are, though, is noise, and I'm at the point with this book where I need to cancel out as much noise as possible, the better to capture the signal. I think it's a good plan. There are those times when you just need to be in the book you're writing, as much as possible, and cutting down on distractions (like the controversy of the week or, more dangerous by ten times, the fascinating convo of the week–everything but Cute Animal Pictures, really) is very helpful with that, in my experience. Particularly when it's one of those books with a lot of "no one will ever get this, everyone will think I'm just insane, because this is insane" moments, which this one is.

So: Thanksgiving. I hope you had a happy one if you're celebrating, and if you're not I still hope you had a nice day.

Setting the problematic historical context aside, Thanksgiving is the major holiday that stresses me out the least, and the one I typically like best. (Apart from Halloween, of course.) The lack of gifting means lower stakes and less insanity, and at heart I am very down with the concept of pausing to appreciate the good things in our lives. Be it refugee Thanksgiving with friends, as we've done in past years, or lovely days with family, like this one, I feel like one extremely lucky lady.

And, even though I'm avoiding The Services temporarily, I wanted to pop in here to say how grateful I am that I'm able to be a part of such wonderful virtual (and real!) communities, full of people who talk and laugh and grouse and support each other, whether from up close or afar. That is no small or imaginary thing. You're all much appreciated.

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Home Again, Home Again

Though I really don't believe in jigs. World Fantasy was great fun, despite the strangeness of being at a convention sans Christopher, and the extreme sprawl of the property, which had the odd distinction of feeling like a set from Dynasty or Falcon Crest, The Prisoner, Dirty Dancing, CSI or Bones*, Swamp Thing, and The Shining, depending what part of it you happened to be in.** Plus, there was a painting of a terrifying girl in a blue dress in every single room. (The one in mine and Tiffany's was between the wall and the TV hutch, where you forgot it was there…until you looked over and its eyes were following you.) Maybe there was a little Addams Family–with palm trees–going on with the property too, actually. At night blown bulbs left the illuminated sign over the convention center saying CONVEN CENTER.

Though I brought my camera, I then discovered it was out of batteries and never bothered to replace them. So these memories of the bizarro Town & Country will have to live on only in the mind.

I somehow managed to miss a few people entirely, which I can't remember ever happening at a convention, and to see others far too little, which happens at all of them. But there was plenty of fabulousness to make up for this–running into dear friends in the bar or the cafe, finally getting to meet some lovely people previously known only in virtual world, an impressive quantity of Korean BBQ, and many, many bits of hilarity, including a spectacular outdoor Couples Theater performance on the other side of the glass at The Cheesecake Factory. Good times.

I came home with a scratchy throat that I originally chalked up to laughing too much on Sunday night, but it seems to be ebbing away as the day wears on. It was probably destined I'd get sick as soon as I told Alice and Alaya–during a conversation about Contagion, natch–that I never get sick at conventions because I compulsively wash my hands and don't touch anything in a communal bowl. Note to self: Refrain from tempting the germs of fate.

Now it's back to work on many things.

*You know, where the murder has taken place.

**And which had lots of other, more serious issues. I also had the good fortune to miss the creeper.

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Two Things

1. My long interview with the delightful Beth Revis has been posted at Lightspeed. She had many smart and excellent things to say, so do check it out. (Also up at Lightspeed this week is Cassie Clare's fabulous story from Steampunk!, "Some Fortunate Future Day." Do not miss. And, really, don't miss the whole anthology–it's crazy wonderful.)

2. Gabrielle Gantz interviewed the one and only Laura Miller about many things for the Rumpus, and Laura gave me a little shout out and says to do whatever I tell you. Mwahaha. But, seriously, if you're here from there (hi!), you might be interested in the bar of recommendations from this year's reading over (and down a bit) in the righthand column.

Aside: Off to World Fantasy tomorrow, arriving late afternoon, staying until Monday morning. I have some meetings, but most of my time is blissfully unscheduled. I hope to see you there.

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Saturday Randomness

1. I meant to do this yesterday, per the Friday Five tradition, but instead it's the Saturday Six. Yesterday I hit a bleary, exhausted state, chased off only by a block of couch time to consume the first part of the Project Runway finale (Tim Gunn hugs = should be bottled and sold) and Brian Selznick's Wonderstruck. I think my love for Hugo Cabret was no secret, and once again, I just felt drawn in and recalibrated by this beautiful book that no one could have done except this particular author. The old cinema feel of both is outrageously in my wheelhouse, and I'm so hoping the Hugo Cabret movie captures even a little of it.

2. Actually, I've been having a run of reading great stuff, some for review, some for other projects, some just because. About as far from Wonderstruck as possible is Joe Abercrombie's Best Served Cold, but I thought it was bloody amazing fun. By which I mean bloody and amazing and fun to read, without losing any of its weight. Highly recommended for George R.R. Martin fans who only want to read one book and not a series (this is a standalone, although now I'm going to have to read his trilogy too), and who love a fierce, complicated woman at the center of the narrative.

3. Another really complex, fabulous book I just finished reading is Delia Sherman's The Freedom Maze–I won't say too much at this point, because I'm reviewing it for Locus and I'll have to write that review to truly sort out my thoughts. But this is truly a special book, and one that's perfect for middle grade readers, teen readers, and adults alike. Managing what Delia has managed here is really something. And, OH, I also just read Kelly Barnhill's The Mostly True Story of Jack and it, too, is amazing! Like I said, good run of books. It's odd for me to read this much middle grade in a stretch, but these are really perfect examples of how middle grade–especially with a classic feel to it; I'm thinking of Laurel Snyder's WONDERFUL Bigger Than a Breadbox too–is so universal in its appeal. This is a really great year for both YA and middle grade, in general.

4. Speaking of good things for YA: Lauren Myracle. Can we all just give her a standing ovation? One of the things that ticks off those of us in children's and YA lit is how there are always these clueless representations of the field in the media, from people who really know nothing about it. (See this brilliant Mad Libs version of the typical YA rant.) I've made my feelings about the whole NBA mess known elsewhere (twitter, tumblr). It's the most unfortunate thing, and I HATE that Lauren Myracle was forced to endure it; I felt heartsick for her from the moment it became clear what was happening. I feel terrible for all the nominees now (and Chime really is a truly brilliant book–people at media outlets summing it up as a "teen witch novel" should, y'know, read it), and I also do feel bad for the folks at the NBA. Still, it was their responsibility to clean up the mess, and that's what they should have done, rather than making a Bigger Mess. ANYWAY, what I wanted to say is, the one good thing in all of this, of course, has been the wonderful bright light of Lauren Myracle. YA couldn't wish for a better ambassador to show what it's really about, and her appearances on NPR (I teared up) and everywhere else, not only demonstrated what a class act and wonderful person she is, they made the entire field look good. So, hey, mainsteam media, next time you need someone to talk about YA? CALL HER. (Or someone else FROM the field.)

5. So, well, yes, I've been reading and working lots on various things. And also working on the circus book, which has at last found its footing, but is still by no means one of the easy ones.

6. World Fantasy approaches! And, yes, I'll be there, though I'm not doing any programming. I will also be Christopher-less, but I do have a most excellent roomie. Anyway, I can't wait to see/meet/hang with all of you. Happiness.

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