Two True Things

1. Maud rips Malcolm Gladwell for his apparently quite idiotic Enron piece. (I’m not sure I can stomach it, from the excerpts. And I’m more than willing to take her word for it, based on some of the other stuff he’s peddled lately.) Brava, dah-link:

A friend points out that Gladwell’s piece is the inevitable result when a writer who has — literally — made a career out of hailing superficial first impressions and banal fads as the height of human endeavor tries to reckon with serious wrong-doing that has serious real-world consequences.

2. Callie on how much it sucks to go back to the grind after time for more writerly pursuits:

I am not alone, I suspect, in my loathing to leave this state behind and plunge back into the world of work and clients and deadlines and the required pacifism, patience and forced pleasantries that will ensue.  After two weeks of reading & writing, I’ve developed a routine that I’m loathe to change. I’ve begun writing in a way that has inspired more writing. I’m not eager to fiddle with the state of things.  But I’ve got no choice.

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Thursday Hangovers

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Tuesday Hangovers

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Novel Hopes

The second issue of the Fairy Tale Review arrived the other day and I just got a chance to look it over. It contains lots of excellent-looking stuff and THE FIRST CHAPTER OF A NOVEL BY STACEY RICHTER. The novel is apparently called Fairyland and the portion included is so fine it will blow your head off. And, yet, there is no mention of this novel anywhere on the web or reference to if it’s finished, when it might surface, etc.

And now I want to read it very badly. Anyone have any insider scoop on this one?

See also: My review of the first issue of FTR.

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Friday Hangovers

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From Beyond the Grave!

Did y’all know that Mark Twain dictated a post-mortem novel and two short stories by Ouija board to a lady in Missouri between 1915 and 1917? Me neither. Jason Offutt at From the Shadows has the story:

Emily Grant Hutchings, a struggling novelist, teacher and writer for St. Louis newspapers, claimed Twain dictated his last novel and two short stories – “Daughter of Mars” and “Up the Furrow to Fortune” – to her one letter at a time between 1915 and 1917 through a Ouija board.

The book, “Jap Herron,” was published by Mitchell Kennerley in 1917 as “a novel written from the Ouija board – Mark Twain via Emily Grant Hutchings.” Harper & Brothers, owners of the copyright on the pen name “Mark Twain,” sued Kennerley in 1918.

You can find a PDF of the novel here. (Via the one and only Andy Duncan, who’s on a roll this week.)

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